司马相如“骚体制歌”考

Textual Research on "Using Saoti to Create Yuefu Poetry" by Sima Xiangru

《文心雕龙》在论及汉代乐府创制与生产的情况时,指出"朱马以骚体制歌",其中"朱"指朱买臣,"马"指司马相如。汉代文人有很多摹拟"骚体"的文学创作,司马相如在文学创作中对"骚体"有着较为熟练的掌握,骚体赋在他的赋作中有着特殊的地位。《郊祀歌》十九章是汉乐府中的重要篇章,关于这些篇章作者的归属,目前尚存在诸多争议。本文通过考辨,推测其中的《朝陇首》和《天马》(其一)两首大致可以认定为司马相如创制。

On Yuefu poetry composition in Han Dynasty,Liu Xie pointed out in Wenxindiaolong that Zhu Maichen and Sima Xiangru had used Saoti to create yuefu poetry.Literati of Han Dynasty had favored the style of Saoti in creation of poetry.Sima Xiangru was one of the poets who employed Saoti skillfully in his literature creation,that＇s why Saoti poem occupied a special position in his poetry works.The nineteen lyrics in Jiaosige are the important chapters of yuefu poetry in Han Dynasty.Based on textual research,this article puts forward the speculation that Sima Xiangru is the probable creator of Chaolongshou and Tianma I,two of the nineteen lyrics.