外国喜歌剧的“本土化”演绎模式引发的思考——评意大利喜歌剧《唐帕斯夸莱》厦门首演

On the Xiamen premiere of Don Pasquale

由厦门工学院郑小瑛歌剧艺术中心和厦门爱乐乐团主办,著名指挥家郑小瑛执棒,中国歌剧界素有＂鬼才导演＂之称的李卫改编执导的意大利喜歌剧《唐帕斯夸莱》（演出方译为《帕老爷的婚事》）3月2日在厦门工学院音乐厅的成功首演,为现场观众带来了一场在听觉和视觉上的艺术革命。这个制作足以颠覆那早已充斥于人们脑海中＂歌剧是高雅艺术＂的传统观念——福建本土年轻艺术家们的表演虽稍显稚嫩但仍不乏有个别突出的表现,

Presented by the Zheng Xiaoying Opera Art Center, Xiamen Institute of Technology and Xiamen Philharmonic Orchestra, Don Pasquale had its Xiamen premiere on March 2 at the Xiamen Institute of Technology Music Hall.The production was directed by Li Wei and conducted by Zheng Xiaoying.For the audience,it was an artistic revolution both for the eyes and ears,subverting pre-conceived notions that opera is 'high art.' Although local singers might not be ready to tackle such operatic roles,there were some breakouts. Together the cast presented this adaptation—injected with 'local' elements—with humor,fun and enchantment.