摘要
本文对我国当前文化艺术品交易所的交易模式进行了比较分析,认为相比产权制,份额制存在的隐患更为突出,而其中门槛的合理设置、流动性的有效控制、定位的多样化、后市表现的维持、退出机制的设计与建立、入盘资金量的限制、平台化作用的强化、估值定价模式的改良以及行业自律组织的建立是份额制文交所务必应对与解决的重点问题。
Recently,controversies about cultural artwork exchanges not only remind us of the existing vulnerability and risk, but also lead us to think about the future of the exchanges. Compared with ownership, the hidden problems of share system are more serious. Among these problems, it is imperative to improve the reasonable design of threshold, effective control of liquidity, diversified positioning, after-market performance, design and establishment of exit mechanism, limit of in-market funds, strengthening of the role of the platform, valuation pricing models and establishment of industry self-regulatory organization.
出处
《西部金融》
2012年第3期59-63,共5页
West China Finance
关键词
艺术品市场
文交所
份额制
artwork market, cultural artwork exchanges, share system
