摘要
19世纪中后期,印象派画家放弃了注重形体而轻色彩的绘画观念,打破了传统绘画对色彩的束缚,运用当时先进的光学理论,发现在不同光线照射下景物丰富的色彩变化,留住瞬间印象,在绘画艺术上引起重大变革。莫奈是印象派最重要的代表,他以全新的视角,独特的表现光与色的手法,大胆创新的绘画语言,突破传统绘画题材进行创作,留下大量优秀作品令世人瞩目,成为"现代绘画的鼻祖"。
In mid and late 19th century, impressionist painters gave up the idea of emphasizing shape and ignoring color, no longer confined by the tradition in terms of color. By utilizing the advanced theory then in optics, they discovered the rich colorful changes of scenes and objects in different lights and caught the instant impression, inducing a great transform in painting. Monet, as an important representative, created abundant world- renowned paintings from a completely new spectrum and with a peculiar approach of light-color expression of painting-topics never seen before in history, securing his position as an ancestor of modern painting.
出处
《浙江工商职业技术学院学报》
2012年第1期27-30,共4页
Journal of Zhejiang Business Technology Institute
关键词
印象派
莫奈
光与色
突破
创新
impressionist
light and color
break through
innovation
