摘要
肖像画,作为人物画的一个分支门类,在中国有着历史的悠久,有写照、传影、写真、写貌、写像、写生、小像等等传统称谓。《尚书》载,高宗“梦帝赉予良弼”,“乃审厥象,俾以形旁求于天下。说筑傅岩之野,惟肖。爰立作相,王置诸其左右。”①这类记载或带着浓厚的传说色彩,但从中可看出肖像画在商代便已具备相当写实的水准。
The paper depicted two portraits of Zhangxiong,one of which was painted by Bao Dong,the other by Fei Yigeng.Preface and postscripts,collection history and other participants were introduced in the paper.
出处
《收藏家》
2012年第4期49-52,共4页
Collector