期刊文献+

从形式与技法看《溪岸图》的创作时代

Study on the Creative Age of Landscape Beside Stream from it's form and Techniques
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摘要 中国山水画的表现形式和技法历代不同。《溪岸图》表现出作者对三度空间的极大兴趣,但在表现方面存在显而易见的瑕疵:画面构图呈现明显的"V"字形结构,造型力求细致而写实,"有笔有墨"而尚未程式化。这些特征与五代宋初山水画完全吻合,说明《溪岸图》创作于五代宋初。 The form and techniques of Chinese landscape in different period is different.Landscape beside Stream expose the painter's obvious flaws in the techniques despite his great interest in the three-dimensional space;Picture composition showed obvious "V" shaped structure;he pursue the richness of details and realism in the shape;The painting technique has not yet formularized despite the emphasis on brush stroke and rendering techniques.These characteristics indicate that Landscape beside Stream is created in the Five Dynasties or early Song Dynasty because of their consistency.
作者 罗新华
出处 《韶关学院学报》 2012年第3期148-151,共4页 Journal of Shaoguan University
关键词 《溪岸图》 形式技法 创作时代 Landscape beside Stream creative age form and techniques space composition shape brush stroke techniques
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参考文献4

  • 1卢辅圣.解读《溪岸图》[M]上海:上海书画出版社,2003.
  • 2潘运告.唐五代画论[M]长沙:湖南美术出版社,1997.
  • 3潘运告.图画见闻志@画继[M]长沙:湖南美术出版社,2000.
  • 4潘运告.明代画论[M]长沙:湖南美术出版社,2002177.

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