论马里奥·巴尔加斯·略萨《城市与狗》中时空交错的结构现实主义

The Magnificent Audio-visual Feast of Three-Dimensional Narrative in Time and Space

结构现实主义在拉丁美洲文学中一直处于支柱地位,这种以立体性架构全景的文学结构能从多维度反映社会在历史与现实中的多样性。马里奥.巴尔加斯.略萨的长篇小说《城市与狗》中表现出鲜明的现实批判倾向,小说突破传统的线性叙事方式,在闪回、多镜头摄影和蒙太奇等手法中灵活地剪接对话和独白,通过多个时空场景的并置真实地描绘出现实的原生态,采用多元素糅合推高结构现实主义的立体时空性,从而架构出一种新型的现代立体性小说结构。

Structural Realism has been positioned as the pillar of the Latin American literature.The literature structure that gets the panoramic view from the three-dimensional narrative reflects the diversity of the social and historical reality from the multi-dimensional angle.Mario Vargas Llosa,master of Structural Realism,is a worldwide-known Peruvian writer,who recently has won the Nobel prize for Literature for his first world-renowned novel The City and The Dog written in 2010.In his works,he demonstrated the critical tendency of reality clearly to break through the traditional linear narrative,edit dialogue and monologue flexibly with flashback,multi-shot photography and montage techniques,etc.,depict the original ecology of the reality truly through putting multiple time and space scenes together and push the three-dimensional space-time structure of realism by using combined multi-element,and thus set up a new novel type of modern architecture of the three-dimensional structure.