生命本真的审美升华——论婉约之美

The Aesthetic Sublimation of the Nature of Human Life——The Aesthetic Content of Gracefulness

婉约是中国古代美学的一个重要范畴。其审美内涵既是对正宗词家的审美追求及其词作的审美特性作出的理论概括,也是中国农业文明时期人的生命境界中自然、本真一面的审美升华。运用中国传统美学的观点,以正宗婉约词为依据,具体分析其审美规律主要体现在三个方面:一是词心,似水柔情的审美宣泄;二是词境,托迹闺房的意象体系;三是词格,俗、丽、清、雅的多彩画卷。

Gracefulness is one of important category in ancient Chinese system of aesthetics. It is not only the theory condensation of the aesthetic pursuit of authentic Song Poems writer and aesthetic characteristics, but also the aesthetic sublimation of natural side of human life during the Chinese agricultural civilization. The use of traditional Chinese aesthetics point of view, according to authentic graceful poems, the aesthetic content is mainly reflected in three aspects ： First, the heart of the poems, watery tender- ness aesthetic catharsis ; Second, the artistic conception of poems, care of the image system tracks boudoir; third, the character of poems, popular, beautiful, clean, and elegant.