拉班舞谱视野下的中国民族民间舞蹈形态分析

Application of Labanotation in Study of Chinese Ethnic and Folk Dance

拉班舞谱理论在1920年由拉班建构,此后,西方逐渐将拉班舞谱普及开来,主要用以记录舞蹈作品以及对人体的舞蹈动作进行力效等方面的研究。在我国,1980年由戴爱莲将拉班舞谱介绍到国内,1981年许淑媖在中美交流计划中试用拉班舞谱记录中国民族民间舞蹈的基本动作。但直至目前国内尚未对拉班舞谱进行普及,仅是在为数较少的理论研究中有所提及。本文以拉班舞谱理论及其实践作基础,对拉班舞谱在中国民族民间舞蹈中的运用进行研究。主要包括分析中国民族民间舞蹈形态、舞蹈动作规律与特点、中国民族民间舞蹈审美等问题,旨在建立中国民族民间舞蹈这一文化瑰宝在国内外文化交流的平台并促进其发展。

Labanotation theory was established by Rudolf von Laban in 1920.Since then,Labanotation has been gradually gaining in popularity in western countries,especially in terms of recording dance works and studying effort-shape of dance movements.In China,it was introduced by Dai Ailian in 1980,and used in trial in by Xu Shuying in recording the basic dance movements of Chinese ethnic and folk dance during the Sino-American exchange program in 1981.Yet Labanotation has not been popular in our country so far,to which only a few studies have ever referred.This paper presents application of Labanotation in the study of Chinese folk dance,dealing with issues like dance forms,movement laws and characteristics as well as dance aesthetics,with the intention of promoting development of Chinese ethnic and folk dance during the culture exchange both at home and abroad.