当代“舞蹈理论”如何生长——从国际美学前沿思潮观之

Regeneration of Contemporary Dance Theories from the Perspective of Cutting Edge International Aesthetics

在格式塔与符号学美学资源被接受之后,当代中国"舞蹈理论"需要面向国际美学前沿思潮继续加以拓展。"分析美学"关注语言学转向的问题,在动作语言与语言思维的关系上,将艺术作为一种"述行"活动的"语用学"颇具启发意义。从"视觉美学"角度可以内在地看舞蹈,动作思维并不仅是"做"的,视觉思维也并不只是"看"的,二者之间形成了必然的关联。从"生活美学"角度可以外在地看舞蹈,非日常的舞蹈与日常化的动作之间的关系得以重思,身体美学则为舞蹈提供了更为广阔的生活背景。舞蹈史撰写的"进化模式"也需要得到反思,也亟待建构一种崭新的历史叙事模式。"中国化"的舞蹈理论的新生长,既需要美学与舞蹈之间进行对话,也需要中西美学之间展开互动。

After absorbing resources of Gestalt aesthetics and semiotic aesthetics,the contemporary Chinese ＂dance theories＂ need to face the newest international trends of aesthetics in order to develop its own system.＂Analytic Aesthetics＂ focuses on the linguistic turn,taking art including dance as a ＂performative action＂ from the view of pragmatics when dealing with the relationship between action language and verbal thinking.Visual aesthetics would address dance internally.Action thinking and visual thinking have inevitable internal relevancy,and they don＇t simply mean ＂doing＂ or ＂seeing＂ literally.Living Aesthetics could help rethink the relationship between dance movements and routine movements in everyday life.Somaesthetics has provided a broader context for dance.In addition,the ＂evolutionary mode＂ of dance history needs to be reflected for constructing a new historical narrative mode.Chinese dance theories require both dialogues between aesthetics and dance theories and interaction between Chinese and Western aesthetics.