摘要
当代侗族文化保护与传承问题的提出,实质上是遭遇了"现代化"和"全球化"而产生的,即是一个"现代性问题"。从主体角度看,文化保护与传承就是维护民族自己的传统并实现为当代的生产和运用于生活,因而文化传承的根本就在现实的实践中延续传统,侗族文化的保护、传承也当如此。"原生态文化"现象的本质在于传统的创造性运用,而不是实证主义所追逐的"原汁原味"的静态保护。侗族文化的"原生态"保护和传承不过是其传统文化的当代再生产,这是正确理解侗族文化归入"原生态"视野和实践的维度。
The proposal of the issue of current Dong culture' s protection and inheritance is essentially the production of encountering of "modernization" and "globalization", which is an issue of "modernity". In the subjective view, cultural protection and inheritance is the maintenance of Dong cultural protection and inheritance. Original ecological culture is the essence of creative application of tradition, not a static protection which chased by positivisms. Dong culture' s "original ecological" protection and inheritance is only the cotemporary reproduction of its culture, which is the dimension of correctly understanding of Dong culture into "original ecology" vision and practice .
出处
《凯里学院学报》
2012年第2期18-21,共4页
Journal of Kaili University
基金
2010年度教育部人文社会科学规划基金项目"‘原生态文化’现象的理论与实践研究--文化经济学的视野"的阶段性成果之一(项目编号:10YJA850030)
关键词
侗族文化
保护与传承
“原生态”视野
当代实践
Dong culture
protection and inheritance
"original ecological" view
cotemporary practice