摘要
作为先锋派的代表作家,余华以其特殊的审美视角和写作风格给文坛带来一股强烈的冲击波。他的小说不以故事的曲折见长,而是以内蕴的丰厚别具一格。他的小说运用了寓言以此喻彼的思维模式和夸张、讽喻、变形、荒诞等寓言的写作手法,才使其能在先锋派诸多优秀作家中脱颖而出,尤其在20世纪90年代引起了评论界的广泛关注,在读者中也是好评如潮。从寓言化的角度来观照余华的小说创作,分析他的小说与寓言之间千丝万缕的联系,以此为突破口,找到一个新的理解余华小说的视域。
Yu Hua, the representative of the avant-garde writers, has brought the literary world a strong shock by his unique aesthetic view and writing style. Rather than stories with good twists and turns, he wrote novels with rich connotation in a style of his own. It is believed that the writer is good at applying fables in his fiction with such writin deformation and absurdity, which enable him to stan g d techniques as hyperbole, metaphor, allegory, out among the excellent avant-garde writers. Especially in the 1990 his novels aroused wide concern of critics and readers as well. This paper aims to study Yu Hua's novel writing from the allegorical his novels and the fables there are to find perspective and analyze the relationship between a better appreciation of the writer and his novels.
出处
《西安建筑科技大学学报(社会科学版)》
2012年第2期57-60,73,共5页
Journal of Xi'an University of Architecture & Technology(Social Science Edition)
关键词
象征性结构
寓言化人物
废墟
人性的恶之花
symbolic structure
allegorized characters
ruins
flowers of human evil nature