名物意象与性别角色——温庭筠与韦庄词中女性形象比较

Imagery And Gender Role——Comparison of Female Images in Wen Tingyun's Ci Poems and Wei Zhuang's Ci Poems

女性人物形象书写是花间词人创作的基本取向。但同为花间词大家的温庭筠和韦庄,其词风有着较大的区别。温词尤为注重名物装饰,韦词则常以舒畅、淡秀的笔触去描写女性的音容与情怀。温庭筠与韦庄词中所使用的语言,无论内容意识,还是外在形式,都带有强烈的女性语言特色。韦庄词以一种冷静旁观的角度去描写女性形象,他笔下的女性往往是"被看"的"他者"和客体,而温词却与之相反,仍以闺阁女性的口吻述说着婉丽绮靡的相思愁怨。两种不同词风的形成,与他们的生活道路、师承等有着密切的联系。

Depiction of female characters is the basic creation orientation of Huajian Ci writers.Both Wen Tingyun and Wei Zhuang are masters of Huajian Ci.But there are great differences between their writing styles.Wen pays a particular attention to imagery of things,while Wei always describes female＇s appearance and feelings with a light style.The languages in the Ci of Wen Tingyun and Wei Zhuang are both strongly characterized by femaleness in content as well as form.Wei＇s Ci describe female image in a calm spectator perspective and the females in his Ci are ＂the other＂ and object ＂seen＂,while Wen＇s Ci speak a beautiful and melancholy sadness in the position of female.The formation of their different writing styles is closely related to their life and education.