摘要
"镜像理论"主要描述"自我"如何在与另外一个完整的对象的认同过程中构建。银幕是最初镜子的延伸,观影时,银幕内外的"自我"与"他者"不断冲突造成了主体的异化,最终使观众潜藏在深层心理中的无意识得到宣泄与升华,达到第二次自我认同和构建。
The mirror stage is a drama whose internal thrust is precipitated from insufficiency to anticipation.Sharing the same function with a mirror,the screen provides the world a stage in which true self is lost because of his self-misunderstanding and the conflicts between Self and Others.And hence people,when they are watching film,will get catharsis in their unconsciousness and become sublimed.
出处
《长春工程学院学报(社会科学版)》
2012年第1期76-78,共3页
Journal of Changchun Institute of Technology(Social Sciences Edition)
基金
江苏省现教研究课题(项目编号:2009-R-133326)
关键词
拉康
镜像理论
电影
重构
Lacan
"Mirror Stage" theory
film
reconstruction