江兆旻话剧创作的理论蕴含及其审美特征

JIANG Zhaomin Drama Theoretical Implication and its Aesthetic Features

对江兆旻话剧创作的理论蕴含及其审美特征进行了探讨,提出:摒弃闭合的、程式化的舞台结构,是融入现代传媒话语元素与形式,奠定叙事理性与叙述情趣的完美结合。完成个性化呈现与受众的开放性参与,不仅造就了江兆旻话剧创作的理论蕴含及其审美特征,也为时下话剧的大众化传播和产业化运作提供了启示。

This paper discusses JIANG Zhaomin drama theory, its theoretical implication and aesthetic features. It pointed out that rejecting the dosed, stylized theatrical structure is a way to emerge into modern media discourse elements and form, lay the narrative rationality and describe the perfect combination of taste. Completing personalization and openness of audience participation, not only creates a theoretical implication of JIANG Zhaomin drama and its aesthetic features, but also provides inspiration for the mass dissemination of drama and industrial operation.