1Noel Carroll and Jinhee Choi (eds. , 2006), Philosophy of Film and Motion Pictures. An Anthology, Oxford. Blackwell Publishing; Jinhee Choi, "Apperception on Display . Structural Films and Philosophy," Journal of Aesthetics and Art Criticism, Vol. 64. No. 1, 2006, pp. 165-172.
2Daniel Frampton, Filmosophy, London and New York. Wallflower Press, 2006.
3Gilmore, Richard A. , Doing Philosophy at the Movies, Albany. SUNY Press; Leitner, Birgit and Lorenz Engell eds. ,Philosophie des Films, Weimar. Universititsverlag, 2007.
4Nagl, Ludwig, Eva Waniek and Brigitte Mayr eds. , Film Denken/Thinking Film, Wien. Synema , 2004.
5Murray Smith and Thomas E. Wartenberg , "Introduction," Journal of Aesthetics and Art Criticism, Vol. 64. No. 1, 2006, 1-9. p. 1.
6Thomas E, Wartenberg,"Beyond Mere Illustration. How Films Can Be Philosophy," Journal of Aesthetics and Art Criticism, Vol. 64. No. 1, 2006, p. 21.
7Stephen Mulhall, On Film, London . Routledge, 2002.
8Stephen Mulhall, "The Impersonation of Personality. Film as Philosophy in Mission Impossible," Journal of Aesthetics and Art Criticism, Vol. 64. No. 1, 2006, pp. 97 - 110.
9Christopher Falzon, Philosophy Goes to the Movies. An Introduction to Philosophy, London. Routledge, 2002.
10Thomas E. Wartenberg, "Beyond Mere Illustration. How Films Can Be Phi- losophy," Journal of Aesthetics and Art Criticism, Vol. 64. No. 1, 2006, pp. 19-32.
