摘要
在中国古代历史上,兰陵王可谓"战神"。《兰陵王入阵曲》成就了兰陵王的英名,它在民间广泛传唱。隋朝时期,被正式列入宫廷舞曲。唐朝时期盛行,又称《代面》、《大面》。此舞是带有简单情节的男子独舞,称之健舞,后来一度被唐玄宗禁演。宋时失传。至今在河北省邯郸市磁县坐落着高大的兰陵王墓碑。以兰陵王乐舞表演时的面具为线索,进而对《兰陵王入阵曲》舞蹈进行溯源,借以论述《兰陵王入阵曲》具有的与原始乐舞不可分割的集中特点。
In Chinese ancient history,the King Lanling was respected as the god of war.The music The King Lanling into the Array well-illustrated his great achievements and remained popular in the folk.In Sui Dynasty,the music was officially listed in court dance musics.During Tang Dynasty,the dance of it won wide-spread popularity with other names,such as Dai-Mian or Da-Mian.The man-performed solo dance was also called Jian-Wu,which was once banned by Emperor Xuanzong of Tang and finally lost in Song Dyanasty.Till now,the tombstone of the King Lanling is still located in Cixian County,Handan City,Hebei Province.With the mask used in the musical dance as a clue,this paper traces back to the source of The King Lanling Into the Array dance and then analyses the common features shared by it and primitive musical dances.
出处
《邯郸学院学报》
2012年第1期48-50,共3页
Journal of Handan University
基金
2011年度河北省社会科学发展研究课题"当代社会审美视角下的古乐舞--以<兰陵王入阵曲>为例"的阶段性研究成果(201103314)
关键词
兰陵王
乐舞
角抵戏
武舞
傩舞
the King Lanling
musical dance
Jiao-Di opera
military dance
Nuo dance