生态美学层面的发掘——《印象·刘三姐》对民族文化艺术传播传承的创新

Exploration of Ecological Aesthetic Level——《Impression-Third Sister Liu》 maked the innovation for spread and inherit of national culture art

《印象·刘三姐》深入发掘广西壮族稻作农耕文化中的"家园意识"、"场所意识",将长期以来被人类忽视的对自然与环境的审美纳入艺术表演领域,让大自然、环境和广大观众"参与"创作,"参与"演出,突破了传统的、由康德所倡导的被长期尊崇的"静观美学"的审美观念,进入了"参与美学"的生态审美高度,生动地揭示了广西民族文化艺术中"山歌唱和"的实质是天人相谐,阴阳相和,诗意栖居。基于生态美学层面上的发掘,这对今后民族文化艺术的保护发掘、传播传承和发展不失为一条富有创意的新路子。

＂home consciousness＂,＂place consciousness＂ in the guangxi zhuang nationality rice farming culture was indeeply explored in ＂Impression-Third Sister Liu＂,nature and the environment aesthetic which had been ignored were absorbed into art performance field,through letting nature,environment and the general audience ＂involve＂ creation,＂involve＂ performance,and breaking through aesthetic idea of the traditional and long-time ＂Aesthetic contemplation＂ worshiped which was proposed by Kant,ecological aesthetic height of ＂participation aesthetics＂ was entered,the essence of the guangxi national culture and art was vividly revealed.This will be a creative new ways for protection excavation,transmission inheritance and development in the national culture and art.