“去饰取素”与谢灵运辞赋审美观的玄学色彩

The "Lotus Flowers out of Water" and the Metaphysical Colour in XIE Ling-yun's Aesthetic View of Fu

受魏晋玄学思潮影响,谢灵运在《山居赋序》中提出的"去饰取素"与其赋序中同时提到的"意实言表"、"遗迹索意"一样具有浓厚的玄学色彩,其内涵复杂微妙。总体风格上的"废张、左之艳辞"而取"朴素自然"是其表层含义;审美鉴赏上的"超越辞藻形式"而取"心境的素朴"是其深层含义。大谢归隐始宁而玄佛仙兼融的心灵世界又丰富了"去饰取素"的玄理内涵,也使《山居赋》的玄理指向有别于西晋以来的其他玄言赋。

Influenced by the metaphysical trend of thought of the Wei and the Jin Dynasties,the ＂lotus flowers out of water＂ in the Preface of Shanju Fu,XIE Ling-yun expresses a kind of metaphysical thought and the contend of it is subtle and complex.＂Abondoning Zhang and Zuo,and leaving the colourfulness ＂ for the ＂simplicity and naturalness＂ in the overall style is its surface meaning.＂Transcending word forms＂ for ＂the mood of simplicity＂ in the esthetic appreciation is its deep meaning.After his retirement,XIE Lingy-un＇s inner world of metaphysics,Buddhism and celestialness also enriches the metaphysical content of the ＂lotus flowers out of water＂,which makes the metaphysical point of Shanju Fu different from other metaphysical Fu since the West and the Jin Dynasties.