新女性——《玲珑》中的明星文化及女性意识

New Women:The Star Culture and Feminine Consciousness in "Linglong" Magazine

《玲珑》创刊于1931年的上海,原名《玲珑图画杂志》,后期易名为《玲珑妇女杂志》,简称《玲珑》,1937年因抗战爆发而停刊,共出版了298期。《玲珑》在一个特殊的年代(1931—1937)完成了自己的历史使命:它借助好莱坞明星文化发动了一场轰烈的中国女性的自我革新运动;它用好莱坞明星的力量激励中国传统女性尽快摆脱小家碧玉式的贤淑形象、一变而成为有几分男子气概的女豪杰,这无疑适应了战争年代对女子的无声号召;同时也为被束缚了千年的中国女子撕开了一个反叛传统的狭小豁口。它始终对中国女性艰难的独立生存保持着一种难得的同情和怜爱的感怀;它将无法撼动的男尊女卑的压抑现实美化得分外狂欢;它用一种女性特有的俏皮和高傲将坚硬的事实柔化的格外令人兴奋与乐观。

First published in Shanghai in 1931,the magazine of ＂Linglong＂ derived its name from ＂Linglong Pictoral Magazine＂,which later renamed into ＂Linglong Women＇s Magazine＂.It published a total of 298 issues before coming to an end in 1937 because of the outbreak of the Anti-Japanese War.＂Linglong＂ had fulfilled its historical missions in a special era（1931-1937） in the following respects： it started an enthusiastic women＇s reformation movement in China with the help of the Hollywood star culture;it urged the Chinese women,with the power of Hollywood stars,to reject their traditional image of a lady and to embrace some masculine characteristics,which undoubtedly reflected the silent call for women during the war time;and at the same time,it offered a chance,though slim,for the Chinese women under thousands of years of oppression to break the traditions.It expressed an unusual sympathy and affection for the misery that Chinese women had suffered to struggle for independence through its wild beautification of the impossible-to-change ideology of man superiority and woman inferiority and its exciting and optimistic softening of the rigid fact with the humor and proudness unique to women.