摘要
中国独立纪录片以反叛专题片的姿态出场,其先锋品格表现为对具有稳定审美特征的专题片的解构,通过各种解构方式表达了对社会现实强烈的批判性,以及对个体生存困境的救赎情怀。
Debuting with the stance of rebellion,the independent documentary movies produced in Chinese,with its avant-garde characteristics,poses as a deconstruction to those documentaries with stable aesthetic features.Through various deconstruction approaches,the independent documentary movies expressed a strong criticism to the social reality,and the salvation sympathy towards individual living predicament.
出处
《贵州大学学报（艺术版）》
2012年第1期56-60,共5页
Journal of Guizhou University Art Edition
关键词
独立纪录片
解构
批判
救赎
independent documentary movies
deconstruction
criticism
salvation
