摘要
苗族"鼓舞"是黔东南部分苗人村寨举行祭祖、祈求、驱逐等仪式时的一种形式载体,从情感结构来看,属于单一性情感结构,属于祭祀性与自娱性民间舞蹈。随着民族文化旅游经济的发展,使它具有观赏性和娱乐性,这种功能的转换从内部改变了"鼓舞"的文化性质。在提倡文化发展和文化保护这两种现实的情况下,对其文化内涵做一分析是有意义的。
The drum dance of Miao in the Southeastern District of Guizhou is a form carrier when some Miao villages hold certain rituals,such as ancestor worship,prayer,and demon expulsion.In terms of emotional structure,it belongs to the one-sided emotional structure,that is,a kind of folk dance for worship or self entertainment.However,with the development of ethnic cultural tourist economy,it has been made more enjoyable or entertaining.This functional shift thus changes the internal cultural characteristics of the drum dance.It is,therefore,significant to study its cultural connotations in the light of cultural development and cultural protection.
出处
《贵州大学学报(艺术版)》
2012年第1期90-93,共4页
Journal of Guizhou University Art Edition
基金
贵州省优秀科技教育人才省长专项资金项目[项目编号:黔省专合字(2010)125]
贵州大学文科重点学科及特色学科重大科研项目[项目编号GDZT2010013]