摘要
亚历克斯.哈里创作的《根》艺术地再现了一段美国黑人历史。用后现代空间理论阐释这段历史将揭示空间与社会现实的辩证关系。通过社会空间的等级划定,通过对空间性存在的黑人身体的规训,对黑奴空间实践的规范化,奴隶制的社会现实从精神、肉体和物质各个方面奴役黑人。空间变为社会的空间,社会则成为空间生产的社会,但位于"第三空间"中的黑奴们从未停止过抗争。因此,这段血泪史是空间策略性和政治性生产的历史,可以概括为空间圈限、身体规训、空间实践规范化的历史和空间反抗的历史。
Alexander Harley's Roots represents artistically an inhuman phase in American history.The analysis from the perspective of space theory shows that the black's miserable history is the production of space which is designed and controlled by white slave-owners.By means of space separation,the discipline of the body,and the controlling of practice in space,the slavery system successfully and effectively oppresses the black physically,spiritually and materially.The space is of a social nature and the society is the production of space.Therefore,the black's history is indeed a dynamic procedure characterized by the space separation,discipline of bodies,the control of space practice and rebellions in the third space.
出处
《当代外语研究》
2012年第4期73-76,78,共4页
Contemporary Foreign Language Studies
