摘要
过去几年中，表演艺术在国际范围内复苏，同时在国内，重新燃起了对于理论文本（尤其是国外译著）的热情，而李然的个展集中体现了这两种动向。展览以塞尚闻名的绘画题材“圣维克多尔山”为题，其重要组成部分包括开幕时的现场表演。
In the past couple of years, performance art has seen a resurgence in popularity on the international art scene, at the same time igniting in China renewed enthusiasm for theoretical writings, especially translated texts. Li Ran＇s recent solo exhibition stands at the crossroads of these two trends. The exhibition＇s title is directly borrowed from Ce＇zanne＇s famous series of paintings, ＂Le Mont Saint-Victoire.＂ Its content,
出处
《艺术界》
2012年第2期198-199,8,共2页
