摘要
博而励画廊在新群展＂真相部＂中展开了对于意识形态霸权话语及其传播的探索,以一个并不庞大的作品群,试图挑战那些维护政治及个人权力结构的叙事,参展艺术家来自美洲、欧洲和亚洲。如果说展览是为了批判政治领域内的知识,那么＂真相部＂这个名字就和《1984》以房间号1984来命名一样,也是一种用词不当。正如＂真相部＂从字面理解,其职责并非对真相的保护,而是传播和混淆历史。展览＂真相部＂与其说是一场权力叙事批判,不如说是一种自创的叙事。
Boers-Li Gallery has ventured into discourses of ideological hegemony and its prop- agation in the new group show, ＂Ministry of Truth.＂ The modest collection of works seeks to challenge narratives that sustain both political and personal power structures, featuring artists working in and across North America, Europe, and Asia. But if the exhibition＇s goal is to critique knowledge conscribed within political boundaries, the title of the show,
出处
《艺术界》
2012年第2期214-215,共2页
