摘要
《边城》是沈从文的代表作品,其所达的艺术高度人所共知。结合一些西方叙事理论,并和中外其他作家的小说加以对照比较,同时借用中国古代绘画上的空白理论和莱辛的造型艺术理论,着重从打破故事的一般模式、空白艺术、艺术失衡的张力三个方面探究《边城》结尾的艺术魅力。
Bian Cheng was SHEN Congwen＇s representative work, its artistic altitude was well known. The paper studies the artistic ending of Bian Cheng combining the Narrative Theories in the west, other Chinese and foreign writers＇works,the Blankness theory in ancient Chinese painting and Lessing＇s formative art theory from three aspects： breaking the common story mode, blankness and tension of artistic imbalance.
出处
《湛江师范学院学报》
2012年第1期131-133,共3页
Journal of Zhanjiang Normal College
