“三元说”与中唐枢纽论的学术因缘

The Academic Relation between the View of"San Yuan", and the Idea on the Key Position of Mid-Tang Period

沈曾植、陈衍“三元说”以元和诗风（即中唐诗歌）作为古今诗史发展的一个中枢。他们认为至此之后古代诗歌由类型化进入到个性化的时代，宋诗就是由此发展而来的；中唐诗歌这一特点以及与宋诗的这种联系是由其内在的学术精神所决定的，这是新一代土大夫精神成熟的一个标志。中唐中枢论不仅具有诗史上的意义而且含有学术史与政治史上的意义。这一诗学观念体现了他们在学术史上的独识，也渗透了他们对政治史的独特体验。这在思想与方法上对陈寅格先生早期的学术思路都具有启迪意义。

The view of'San Yuan'put forward by Shen Zengzhi and Chen Yuan regards the style of Yuanhe Poetry (poetry in the Mid-Tang period) as the key of the development of ancient and modem petry. They thought that from then on ancient petry moved the stage of individuality to the stage of typology and thus the fong poetry came into being. This character of the Mid - Tang poetry as well as its affiliation with the Song depends on its internal academic spirit. This is a sign of the muturity of new-era scholar-bureaucrat's spirit - This view is significant no ouly in the poetry history but also in the academicand political history. Their singularity in academic history, as well as their unusual experience in political history, is embodied in this view. And it enlighens the way of early academic thinking of Chen Yinque.