摘要
中国古典诗学的齐梁新变与萧氏文学集团的雅俗观念及尚和思想密不可分。萧氏帝王文学集团从声调、节奏和韵味三方面入手,以引谣入诗的方式来实现民间文化对传统文化的改造创新,引发了齐梁时代诗文创作从形式到内容雅中见俗、俗情雅化的诗风转向。萧氏文学集团和齐梁时代无处不在的尚和思想则表明齐梁文学集团实际上是带领齐梁时代的诗人以诗文的形式寻求并解答了人应该如何生存的哲学命题。相对于东晋玄言诗人归隐遁世的生存方式而言,齐梁诗人选择了积极融入的生存方式,而萧氏文学集团则使这种"融入"由"文学融入"上升到"审美融入"的新境界。
The Qi-Liang innovations of the classical Chinese poetics are inseparable with the stylistics and harmonization ideas of the Xiaos'. Literary Group. The Xiaos' Imperial Literary Group introduced ballads into poetry in terms of tone, rhythm, and flavor, innovating traditional culture with folk culture, bringing about a transformation of the Qi-Liang poetry by combining vulgarism with elegance, and fusing vulgarism into elegance, both in form and content. The harmony ideas, characterized universally both in the Xiaos' Literary Group and the Qi-Liang periods, show that the Qi-Liang Literary Group actually led the poets of that time, in the form of poetry, to seek to interpret the philosophical proposition of how people should survive. Compared to the hermit and recluse way of life of the East-Jin metaphysical poets and the integrated way of life of the Qi-Liang poets, the Xiaos' Literary Group enhanced the literary "integration" into a new realm: aesthetics.
出处
《廊坊师范学院学报(社会科学版)》
2012年第2期14-17,共4页
Journal of Langfang Normal University(Social Sciences Edition)
关键词
引谣入诗
俗情雅化
尚和思想
审美融入
introducing ballads into poetry
fusing vulgarism into elegance
harmonization idea
aesthetic integration