从《鹊华秋色图》看赵孟頫的“引书入画”的理论与实践

From the “Magpies and Flowers in Autumn”to See ZHAO Meng-fu's Theory and Practice of “Calligraphic Techniques into Painting”

赵孟頫在绘画实践中发展的"引书入画"的理论,丰富了绘画的艺术创作形式,其作品《鹊华秋色图》借鉴各种书体,追寻古法古意,以点画的形态和轨迹所形成的艺术美展现出绘画的主旨,形成一种清淡古朴、平和规整的画风,蕴含着深刻的人文精神和审美价值取向。

ZHAO Meng - fu developed ＂calligraphic techniques into painting＂ theory, enriched the art form of painting, His paint- ing ＂Magpies and Flowers in Autumn＂ drew on a variety of calligraphy, search for ancient old - fashioned, to show the artistic beauty of the subject painting which from stipple shape and trajectory, form a simple, structured style of painting style, Contains a profound hu- manistic spirit and aesthetic values.