摘要
本文是从读者接受的角度对中国近现代文学的历史考察。在前五四时期的文学中 ,文学与读者的交流表现出多层样态 ,读者接受呈现出虚怀以待的低姿态 ;五四文学革命的启蒙作用是通过“审美向习俗的流溢”而具体实现的 ;革命文学对文学功能的功利要求则诉诸文学与读者交流的联想式认同模式 ;现代主义的文学实验又将读者纳入了创造一词的题中应有之义中。 2
This paper makes a historical study of modern Chinese literature from the viewpoint of reader reception.In literature before the May 4,communication between literature and its readers manifests a multi\|level pattern and reader reception adopts a pose of modesty.It is through“the overflowing of the aesthetic into custom”that the May 4 literary revolution achieves its enlightenment effects.Chinese literature in the first half of 20th century unfolds a magnificent scenery in the hermeneutic landscape.
出处
《北京大学学报(哲学社会科学版)》
CSSCI
北大核心
2000年第1期74-81,共8页
Journal of Peking University(Philosophy and Social Sciences)
关键词
文学研究
中国
近代文学
现代文学
革命文学
literary history
hermeneutics
literary enlightenment
revolutionary literature