摘要
新时期中国版画家在中西方两种木刻思维观念及语言形式的双重影响下彰显自主精神,将各自独特的精神体验与木刻版画语言个性化表现相结合,体现出艺术家抛弃他人艺术手杖而自主思考的精神。个性突出的艺术创作明确表现了艺术家的精神表达取向,使新时期的木刻版画创作呈现多向性的发展状态,由附属型转向自主型。
Chinese woodcut prints highlighted in the spirit of independence that influenced dually by Chinese and western and language, it combines spiritual experience and characteristic language of woodcut printmaking shows that the artists abandoned following other's path and created their own way. The outstanding art of individual character creation clearly expresses the artist's spiritual expression orientation, which conducts the woodcut prints in new age the development of creative diversity of state, transformed from affiliated to independent。
出处
《艺术探索》
2012年第2期31-33,4-5,共3页
Arts Exploration
关键词
新时期
中国木刻版画
自主精神
思维表达
语言探索
new age
Chinese woodcut prints
spirit of independence
thinking expression
language explore