画框与其外部的辩证法──现代绘画的一个基质

The Dialectics of the Frame and External——An Inherence in Modern Painting

将现代绘画革命引入时代变迁、历史更迭或社会转型等语境中解析便会发现一种尴尬、疑惑与恐慌的气氛充斥着视觉艺术领域。因为绘画现代性并非针对某种形式、风格,亦非客观环境所决定,而是其中连接各种事项的链条被彻底颠覆。画框与其外部的辩证法,一种现代观看方式,一条开放、自由的通道,铸就了现代绘画的基质。

The mood in visual art was filled with embarrassing, doubts and fears when people analyze modern painting revolution into the context of times, history change or social transformation. Because the modernity of painting is neither aimed at some forms, styles, nor the objective environment decision, but one of the chain of events connected by thoroughly be subverted. The dialectics of the frame and external of, a modern way of looking, an open, free channel created inherence in modern painting.