论曹禺对女性命运的沉思与冥想

On Cao Yu's Deep Thought and Meditation on the Female's Fate

曹禺在前期剧作中，塑造出了周蘩漪、陈白露、花金子、瑞珏和愫方等现代文学史上光彩照人的女性系列形象。在这些介于传统与现代之间、气禀美丽的女主人公“金丝鸟”般处境尴尬的命运寓言里，寄寓着作者对女性原罪意识和人的自然本性相冲突的女性人生命运及个体存在方式的形而上思索，升腾着作者迥异于其他作家的强烈深刻、宗教般的悲剧命运感以及对整个人类命运进行审美关注的人文情怀，从而使得曹禺的戏剧蕴含更为深远、丰实。

In his early plays Cao Yu portrayed a series of female images such as Zhou Fanyi, Chen Bailu, Hua Jinzi,Rui Jue, Su Fang and Others, most of whom are considered to be glorious and respetable in the history of moderm Chineseliterature. These are heroines who, coming between traditional and moderm, are beautiful in appearance and nice indispostion, just like 'canary birds' but in an awkward position. In the allegorical depiction of the foregoing heroines iscontained the playwright's metaphysical thinking, deep and hard, on the female's fate in life and the form of individual'sexistence, both of which are characterized by the clash between the female's consciousness of Original sin and man's naturalinstinct; and also contained the representation of the Playwright's deep, strog and religion-like sense of two fate, andof his humane thoughts and feelings being derived from his aesthetic concern with the fate of the whole mankind, a concernquite different from that of other whiers', which makes Cao Yu's Plays more profound, lasting and abundant inimplication.