对比与更替:三大美学中的两种关系

Contrast and Replacement: Two Relationships in the Three Important Aesthetics

三大美学理论是周来祥美学的重要组成部分。它存在着不可分离但又有明显区别的两种关系：古代美学与近代美学处于鲜明的对比状态，这种对比使得不同历史形态的纵向更替转化为并列对等的关系，古代美学的优长和古代艺术的特色在对比中得到肯定；美学的历史发展呈现为近代对古代美学的超越或突破，纵向转换和更替得到强调，现代美学的发展问题成为关注的焦点。应突出第二种关系，从突破中研究三大美学的相关问题。

The theory of the three important aesthetics is an important component part of Zhou Laiqun's aesthetics. Itcontains two relationships which are not sepaxable, but are strikingly distiguishable from each Other: the ancientaesthetics and modern aesthetics are in a state of contrast, and this contrast makes the lengthwise replacement of historical Patterns transforming into a compound and reciprocal relationship in which merits of ancient aesthetics and thedistinctive feature of ancient all come to be affirmed in the contrast; the lengthwise transformation and replacementto be stressed, and the question of the development of modern aesthetics become the focus of attention. The Secondrelationship should be pushed forward in order to investigate ac study relevant problems to the three important aesthetics bywar of making breakthroughs