摘要
无论在建筑理论领域还是实践领域,雷姆.库哈斯无疑都是一位标杆式的人物。他对于当代大都市中城市和建筑现象的理解是独到而极具启发性的。本文选取了2000年以后设计并建造的3座剧场建筑,着重剖析库哈斯在都市语境中对待剧场和表演艺术中心这类大型公共建筑的实践态度和设计策略。库哈斯对于传统设计观念和方法是持反叛态度的,但这种反叛却充满了理性的智慧。
Rem Koolhaas is undoubtedly an important figure both in the field of architectural theory and practice.His theory on contemporary metropolis and architecture is unique and enlightening.This paper gives a survey of three theaters which designed and built after 2000,focusing on the attitude of architecture practice and the design strategy of Koolhaas.From these works,the rational thinking and rebel against orthodox design method can be found.
出处
《世界建筑》
2012年第2期92-95,共4页
World Architecture
