摘要
鲁迅的文艺真实论是以哲学认识论为基础的现实主义真实论,他对文艺与现实,艺术真实与生活真实,真实性与理想性的关系,进行了辩证的分析。他那“取下假面,真诚地,深入地,大胆地看取人生并写出它的血和肉来”的文学观念,是救治当下各种文艺创作流弊的药石,是20世纪最宝贵的文学传统。
Lu Xun's view on the truth of literary art, based on epistemology, is that of realism. He makes a dialectical analysis of the relationship between literature and reality, that between the truth of art and the truth of life, and that between realism and idealism. He holds that the mask of life is to be taken off, and life itself is to be disclosed faithfully, deeply and boldly, to recreate the flesh and blood of life. Such a literary view is not only a remedy for various existing abuses in literary creation, but also the most valuable literary tradition of the 20th century.
出处
《安徽师范大学学报(社会科学版)》
2000年第1期116-122,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
文学研究
鲁迅
文艺真实性
艺术真实
历史真实
Lu Xun
the truth of literary art
the idealism of literary art
face to face with life
close to reality