绘制欲望 解读瓦尔斯温泉浴场的抵抗与制作

Drawing Desire Resistance and Facture in Drawing-out the Valser Therme

如今,建筑学中的诸多实践已经脱离了建造的物质活动,因此,建筑师必须采用多样的绘图方法,其中包括用于研究和探索建造方案的绘图。然而,他们的绘图工具和过程各异,结果也各异。将铅笔在图纸表面划过,不会自然地产生一根连续的线,而是一根变化的、可以在建筑师头脑中激发很多联想的线。更进一步说,空白纸张上每增加的一笔都记录了一个目的行为,并引导建筑师进入到眼前出现的图形结构与其头脑中图像的辩证思考中。致力于图像的绘制,可以引导建筑师们思考相应的建造,从而反驳设计者某些时候无节制的形式想象的野心。

Today, much of the practice of architecture is removed from the physical act of building and architects must employ different graphic means, including drawings to study and explore proposed constructions. Yet, drawing tools and their processes are not the same nor do they produce the same results. The hand moving a pencil across a drawing surface does not naturally produce a consistent line, but one that is varied, producing different associations in the mind of the architect. Further, each additional mark on an empty surface of paper records an act of intention but also invites the architect to enter into dialectic with the emerging graphic construction and their mental images. Attending to the facture of drawing invites the architect to consider the corresponding making of a building to counter the arbitrary willfulness of the sometimes overly rampant designer＇s formal imagination.