摘要
本文从丹麦最具创新精神、最多产的家具设计大师汉斯.韦格纳的生平入手,介绍分析了家具设计中源于东方的"中国风"和"中国主义"及其区别,并论述了汉斯.韦格纳"中国椅"作品中,中国主义所起着的重要作用,进而分析了当下设计师在面对传统的时候,所应该关注的设计着重点及目标诉求。
This paper gave a briefintroduction of Chinoiserie and Chinesism derived from the oriental,and analyzed the distinction between them started with Hans Wegner,the most innovative and productive furniture designer in Denmark.And it also discussed Chinesism plays a significant part in Hans Wegner＇s design work,＂The China Chair＂.Furthermore,it analyzed the design emphasis and target resorts were supposed to be noticed when modern designers face tradition.
出处
《家具与室内装饰》
2012年第4期96-97,共2页
Furniture & Interior Design
