摘要
莎士比亚作品的电影改编由来已久,自20世纪90年代以来,许多电影工作者在将莎士比亚的作品搬上银幕时已对其作品进行了大胆的僭越与颠覆,《哈姆雷特2000版》便是其中的代表影片。这部电影带着深深的后现代主义烙印进入到观众视野。以弗雷德里克.詹姆逊的后现代理论为依据阐述这部电影当中的后现代主义特征,可以探寻这一时期莎士比亚作品电影改编的新特征。
For a long time,Shakespeare's plays have been adapted for films.Since the 1990s,film makers have adapted Shakespeare's plays for films by arrogating and subverting the original works.Hamlet 2000 is a case in point.This film which is enormously influenced by postmodernism reaches its audience.The research into the postmodern features of this film using Frederic Jameson's postmodern theory can reveal new characteristics of the films adapted from Shakespeare's works in this period.
出处
《南京工程学院学报(社会科学版)》
2012年第1期26-29,共4页
Journal of Nanjing Institute of Technology:Social Science Edition