摘要
变异画风是一批艺术家大胆对传统再分析、重阐释而形成的结果。明末人物画变异画风,由丁云鹏、吴彬、崔子忠、陈洪绶等不同凡响的画家共同探索而形成。他们结合社会反中和的审美需求,提炼五代非主流画家贯休罗汉图中的风格化元素,融合个人自由奔放的情感,获得了怪诞奇异的效果,扭转了流丽柔靡时风,引导了人物画崭新的审美取向,对后世画坛影响巨大。
Variation in painting styles results from some artists' bold attempts to reanalyze and reinterpret the painting traditions.The variation style of figure painting in the late Ming Dynasty was formed by the joint exploration of several prominent artists,i.e.,Ding Yunpeng,Wu Bin,Cui Zizhong,and Chen Hongshou.They took account of social aesthetic needs of anti-neutralization,extracted the style elements from the non-mainstream painter Guan Xiu's work Luo Han Tu,and integrated his free and unrestrained feelings,which produced grotesque effects.It also turned the smooth and beautiful but feeble style into a new aesthetic trend in figure painting,and exerted enormous influences on later generations.
出处
《南京工程学院学报(社会科学版)》
2012年第1期34-37,共4页
Journal of Nanjing Institute of Technology:Social Science Edition
基金
南京工程学院科研基金项目(QKJB2010018)
关键词
人物画
变异
表现
成因
影响
figure painting
variation
performance
cause
influence