论新时期中国电影中上海影像的文化内涵

Discussion on the cultural content of Shanghai image of Chinese film in new era

新时期中国电影中的沪片、沪地、沪人、沪事及沪风等基本元素共同构建了上海影像的文化内涵。沪片自始至终具有求新、商业、通俗等美学特征,而此正印证着海派文化的特质并与海派文化的回归趋向相契合。石库门弄堂作为沪地"地景"之一投射着导演对海派文化的本体性认识;女性是电影中最能代表"沪地"之中的"沪人"。沪片中之沪事不仅有都市传奇故事所营造的旧上海之乱世想象,也有上海现代都市故事。沪片中的视景不仅营造了怀旧之沪风,也彰显着现代化的沪风。

Shanghai＇s film, Shanghai＇ s l^lace, Shanghai＇ s people, Shanghai＇ s thing and Shanghai＇ s spirit of Chinese film in new era together build the culture content of Shanghai image. Shanghai＇s film has the following aesthetic fea- tures,like popular, commercial and common etc, And they are confirmed with the Shanghai＇s culture characteristics and fit for the returned trend of Shanghai＇s culture. As one of ＂landscape＂ of Shanghai＇s place, stone-door alley pro- jects director＇s ontological understanding on Shanghai＇s culture. Women are the most representative ＂Shanghai peo- ple＂ of ＂Shanghai place＂ in the films. Shanghai＇s things in Shanghai＇s films have not only the chaotic imagination of the old Shanghai created by the urban legends, but also the modern city stories. The view in the Shanghai＇s films not only creates nostalgic Shanghai spirit ,but also demonstrates the modern Shanghai spirit.