摘要
审美现代性作为现代性结构中的一个重要层面,从诞生起就扮演了一种"秩序中他者"的角色,这种角色定位使其具备鲜明的批判色彩,为了保持这种批判品格,审美现代性呈现出"双重自反性"特征:一是结构自反性,矛头指向现代性;一是自我自反性,矛头指向其自身。这两种自反性的辩证关系给人们留下许多思考的空间。
In the beginning, aesthetic modernity, as an important acspet of the modernity, has been playing a role called "the other of order", which makes it be critical character. In order to keep the critical character, aesthetic mordemity presents "double reflexivity"featuers:one is the structure reflexivity which resists the mordernity;the other is self reflexivity , which resists itself. At the same time, the dialectic relation-ship about two reflexivity leaves a lot of space for thinking.
出处
《保定学院学报》
2012年第3期102-105,共4页
Journal of Baoding University
基金
黑龙江省哲学社会科学规划办项目"牡丹江戏剧现象研究"(011E019)
关键词
审美现代性
结构自反性
自我自反性
现代性
批判精神
aesthetic modernity
structure reflexivity
self reflexivity
modernity
critical spirit