摘要
近三十年来,中国整个社会各方面都在逐步地迈向现代化,作为首当其冲的城市建设和建筑创作亦不例外。本文通过对美籍华裔建筑大师贝聿铭先生和本土建筑大师程泰宁先生三十年来分别设计的香山饭店与黄龙饭店、苏州博物馆与浙江美术馆进行横向分析比较,他们到底是殊途同归还是异曲同工?或者大相径庭?他们的实践和理论又会给我们当下的建筑创作带来怎样的启示与反思?
Urban construction and architectural creation is the first to be affected in the modernization of Chinese society in this 30 years. From the point of comparison between the works of two masters, Chinese-American I. M. Pei and indigenous Cheng Tai Ning, this article discussed Fragrant Hill Hotel and Dragon Hotel, Suzhou museum and Zhejiang gallery, clarified whether they are converging, equal or opposite, explored what inspiration and rethinking were brought out for our cotemporary architectural creation by these works.
出处
《建筑师》
2012年第2期80-83,共4页
The Architect
关键词
现代化
贝聿铭
程泰宁
Modernization, I. M, Pei
Cheng Tai ning