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旧“符”新“颜”

The Old “Character” New Face
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摘要 在科技高速发展、全球一体经济化的情况下,艺术界的洋设计正继续在中国各地抢摊并且已逞风行之势。我们当中的许多人在"新消费主义"和"新奢华主义"的国际浪潮中早已数典忘祖,也有不少人在饱食西方艺术大餐之余无奈地哀叹民族艺术的学问饥荒,艺术界正在体验着一种悲凉的文化混杂和虚荣。如果我们抽取和提炼民族传统文明中那许多独特的符号、元素、语汇甚至精神中一些美妙奇幻的内容,并通过当今审美意识指示下的新的手段,必定在当代艺术形式中寻找到相当广阔和持久的应用领地。人类的历史可能再次赋予中华民族一个再度"中兴"的辉煌机遇。 The rapid development in science and technology,the global integration of economy under the situation,the art world ocean design continues throughout China and has be come into popular trend.Many of us in the" new consumerism" and" new luxury" international tide already forgotten her origins,there are a lot of people in Western art feast of food but lamented the national art learning famine,art community is experiencing a desolate cultural hybridity and vanity.If we extracted and refined traditional culture that many unique symbol elements,vocabulary,even the spirit of some wonderful fantasy content,and through the current aesthetic consciousness under the direction of new means in contemporary art form,will find wide application and lasting.The history of mankind may once again gave the Chinese nation again" resurgence " brilliant opportunity.
作者 殷文清
出处 《中外建筑》 2012年第5期45-46,共2页 Chinese & Overseas Architecture
关键词 传统文化 当代设计 东方主义 新东方主义 traditional culture contem-porary design orientalism neo-orientalism
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