谁是“摩登女性”?——左翼影片的“新女性”建构和革命话语的转变

Who is “Modern Girl”?——the Construction of “New Woman” in the Left-wing films and the Development of Revolutionary Discourse

中国早期电影的黄金时代开始于20世纪30年代初的上海,联华影片公司的成立和左翼知识分子对电影的介入促成了这个时代的到来。很多在这个时代生产的左翼电影都采取了女性问题的题材,左翼知识分子通过塑造他们理想的"新女性"来表达他们的国家和政治观念。通过对《三个摩登女性》(1933)和《新女性》(1935)两部影片的分析,探讨左翼影片在建构理想女性的过程中所隐含的左翼意识形态与都市之间的矛盾,以及其中所包含的革命话语的转变过程。

Chinese early cinema entered a golden age and made a big accomplishment in 1930s in Shanghai.The establishment of Lian-Hua Film studio and the Left-wing intellectuals contributed a lot to this productive film industry.Many Left-wing cinemas adopted the women issue as their main topic.They express their ideology about class and nation through the ideal image of ＂New Woman＂ in films.This essay explores the conflict between the revolutionary discourse and the urban modernity in the Left-wing films such as Three Modern Girls（1933） and the New Woman（1935）.