摘要
文章考察了词话、缠令、缠达、鼓子词、道情、叫果子、莲花落、货郎儿、评话几种说唱形式在戏曲中的运用,并辨析了词话与判文之区别。这些说唱形式在戏曲中具有叙事、抒情、描写、评论、戏剧性对话、复述、概括剧情等多种功能。其叙事的角色化、艺术化、戏剧化,是一种不同于现实生活中的语言的舞台语言,既让观众了解事件的来龙去脉,又在听觉上获得一种艺术享受。说唱形式是构成我国传统戏曲俗文化特征的重要因素。
This paper analyzes the application of Prose, Chanling, Chanda, Guzici, Dao Qing,JiaoGuozi,Lianhualuo, HuoLanger and Pinghua in the opera, and analyzes the difference between the prose and court verdict. The rap forms have various functions such as narration, emotional appeal, description, review, dramatic dialogue, repeat and plot summary. Being personified, artistic and dramatic, the narration is a stage language different from that in real life and enables the audience not only to understand the incident thoroughly, but also to enjoy the acoustic art. Rap form contributes to the important elements of traditional Chinese opera culture.
出处
《广州大学学报(社会科学版)》
CSSCI
2012年第4期57-65,共9页
Journal of Guangzhou University:Social Science Edition
基金
国家社会科学基金后期资助项目(10FZW016)