摘要
唐宋女性讽谕诗具有刚柔并济、真朴自然、忧郁凝重的审美风格。艺术表现手法有今昔对比,托物言志和以古讽今。抒情方式采用假设、反问等间接性语气,言说方式含糊不定、优柔寡断,呈现了抒情主体在封建社会既要表达自我又在压抑自我的矛盾处境。
The women allegory poems of Tang and Song Dynasties had their own aesthetic style of balancing hardness with softness, with simple, natural and dignified melancholy. Their artistic expression pattern was often to contrast the present with the past, use the scenes to express their emotion, and probe ancient stories and satirize current affairs. In lyrical ways, the poets preferred to using indirect mood such as hypothesis, rhetorical question and so on with vague, uncertain and indecisive expressions, presenting that those lyrical subjects were frequent in a dilemma that they wanted to express them and to repress them in feudal society.
出处
《大连大学学报》
2012年第2期28-32,共5页
Journal of Dalian University
基金
辽宁省教育厅高等学校科学研究项目(2009B010)"中国女性诗歌忧时济世主题研究"成果
关键词
唐宋
女性讽谕诗
审美艺术
Tang and Song Dynasties
women allegory poems
aesthetic art