清初名儒毛奇龄戏曲观探微

The study of Famous Confucian Mao Qiling's Drama Views

毛奇龄处于明末清初的过渡时期,其戏曲思想既表现出明人戏曲观重视戏曲抒写性情的一面,体现出晚明文士风流自赏的态度,同时,也体现了清代戏曲观重视伦理教化,重视戏曲有裨于世的儒家传统。而他高度肯定元剧为"一代之文章"的论点也具有推尊戏曲的意义,是焦循"代有所胜"和王国维"一代有一代之文学"观点的先声。因此,其戏曲观和其文学观、学术观具有某种同构性,三者均表现出既有对明代思想的继承,又有对清代思想启发的一面。

Mao Qiling is in the period of transition from late Ming Dynasty to early Qing Dynasty.His drama thought showed some character of Ming opera drama view which highly thought affection,as well as reflected the late Ming scribes＇ romantic self-admiring attitude.At the same time,his drama views reflected the Qing Dynasty drama view which highly stressed the importance of ethical education,and attached importance to drama because it made benefit to the world of traditional Confucianism.Meanwhile he highly confirmed that the Yuan drama was one generation＇s article,which was the harbinger of Jiao Xun opera view about each generation has its＇ wins and Wang Guowei＇s view about each generation has its own literature.Accordingly,his views on drama,on literature and academic have some isomorphism;each of them was both of the succession of the thought of Ming Dynasty and the pioneer of the Qing Dynasty.