摘要
叶维廉的诗歌创作经历了从现代到古典、从西方到东方的转变和回归。跨时代、跨文化的双重视角,为他的比较诗学理论开拓了思路,并寻求到诗学理论的据点:"文化模子"理论。随着国际性文化境遇的恶化,叶维廉感到强烈的文化忧虑,进而走向文化批评的诗学理论建构期,这显示了他深沉的人文情怀和知识分子的责任感。
Ye Weilian's poetry has gone through the transition not only from the modern poems to classic poems but also from western poems to eastern poems.Account for the perspectives of cross-times and cross-cultures,it has developed ideas for his theory of comparative poetic and seek to the stronghold of poetic theory,theory of "Cultural Mode".With the deterioration of the situation of international culture,Ye Weilian felt so strong cultural concerns,and turn to the poetic theory construction period of cultural criticism,which shows his feelings of deep humanity and responsibility of intellectuals.
出处
《衡阳师范学院学报》
2012年第2期128-131,共4页
Journal of Hengyang Normal University
关键词
诗歌创作
比较诗学
文化的忧虑
人文情怀
poem creation
comparative poetics
cultural concerns
humanities