摘要
李煜前、后期词在意象的使用上有很大的不同。其前、后期词作特点具体体现在:由欢乐到感伤、闺怨怀人到家国山河、闲适到悲悯这三类意象的变化。比较分析这些变化,发现李煜后期词已跳出前期承袭花间狭小意象的窠臼,并开始使用抽象化意象,提升了词的情感表现力,又拓展了词境。
The use of imagery of Li Yu' poem is very different during the former and later period. The characteristics of the poem during these two different periods are embodied in the changes of these three types of imageries: from joy to sadness, from boudoir repinings to home, country, mountains and rivers, from idleness to pity. Through the comparative analysis of these changes, it is found that Li Yu' s poems during the later period are out of the early period inherited narrow imagery of the School of Huajian, and they start using the imagery of abstraction, thus enhancing the emotional expression of the word, also expanding the word context.
出处
《咸阳师范学院学报》
2012年第3期97-100,共4页
Journal of Xianyang Normal University
关键词
李煜
词
意象
词境
比较
Li Yu
poems
imagery
word context
comparsion